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<channel>
	<title>Maliq Hairston</title>
	<link>https://maliqhairston.com</link>
	<description>Maliq Hairston</description>
	<pubDate>Fri, 03 Jul 2026 19:29:05 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://maliqhairston.com/Front-page</link>

		<pubDate>Thu, 11 Jun 2026 21:22:18 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

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		<title>Information</title>
				
		<link>https://maliqhairston.com/Information</link>

		<pubDate>Thu, 11 Jun 2026 21:22:18 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Information</guid>

		<description>
“Live for yourself and what you stand for, not for the approval or even the attention of others”(H.J Kim)

From West Philly willing to make a difference.
An active Art Director, Film Director &#38;amp; Creative Marketing Specialist based in PHL/LA &#38;amp; NYC, with an interest in fashion &#38;amp; music. Looking to create timeless art. I am giving myself a 10 year timestamp but I would love to design a sneaker or work on a collab with a sneaker company. I will probably dabble into music production, film &#38;amp; culinary arts soon. 



ExperienceArt Director at fluent360 (2025-Present [contract])


	
		
		
	
	
		
			
				
					
fluent360 was a small agency I worked at that gave me a chance to finally see the city of Chicago. Clients
include Wells Fargo, Blue Cross Blue Shield, Army, Feeding America &#38;amp; Greater Chicago Food Depository. 

Creative Marketing Specialist at STILL HUMAN (2020-Present)

	
		
		
	
	
		
			
				
					
Still Human is a cool ass agency I created with my close friend Rahsaam Ray, as a platform to host our freelance and contract work. Clients
include Combs Global, Music Breakr, United Masters, &#38;amp; more.

				
			
		
	

Creative Strategist at Semrush (2021-2025) I have done some cool Digital Marketing &#38;amp; SEO campaigns for brands like Spotify, Verizon, Peleton and more. Creative at Front Office Sports (Aug 2022-October 2022)
Front Office Sports (FOS) wanted to bring a CD/AD/ and Lead Designer on contract and I covered all of those roles at the time lol. I had the chance to create ome cool sports newsletters but I also had the chance to create some cool with for TOM BRADYCreative Marketing Intern at Livenation Entertainment (2021-2022)
Livenation gave me my first opportunity as a creative, I was able to create alot of their social media and experiential concert assets while I was there. And I had a chance to see a ton of concerts for free. 

Other things you should know: Temple University Alum 21’One School Honors Alum 23’Youth of the Future Mentor (Mentorship Program at my alma mater)Google UX Design Cert




	STILL HUMAN maliq.hairston@stillhuman.world
	Personal

hairstonmaliq@gmail.com</description>
		
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		<title>Wells Fargo </title>
				
		<link>https://maliqhairston.com/Wells-Fargo-1</link>

		<pubDate>Thu, 11 Jun 2026 04:08:45 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Wells-Fargo-1</guid>

		<description>&#60;img width="2772" height="1552" width_o="2772" height_o="1552" data-src="https://freight.cargo.site/t/original/i/2e53f4670f13ff52e4736e491280b449ce6da487e61ae2c52585e70be469ba98/Screenshot-2026-04-14-at-12.37.55PM.png" data-mid="249376269" border="0"  src="https://freight.cargo.site/w/1000/i/2e53f4670f13ff52e4736e491280b449ce6da487e61ae2c52585e70be469ba98/Screenshot-2026-04-14-at-12.37.55PM.png" /&#62;




	Wells Fargo × fluent360

"Built to Last" : Growth Champions Campaign 


Agency: fluent360CCO: Jose SuasteCopywriter: Carla UrdenetaArt Director: Marisabel Munoz
Art Director: Maliq Hairston
Production: Merge&#38;nbsp;



	Wells Fargo needed to reach multicultural first-time homebuyers but the traditional playbook wasn't working. Aspiration-driven mortgage messaging assumes the audience is dreaming about homeownership. This audience wasn't dreaming. They were already making moves.

The target, internally called "Growth Champions", are young professionals who've been making strategic life decisions for years. They don't need to be inspired to buy a home. They need a financial partner that recognizes what they've already built and helps them take the next step.They don't need permission. They need recognition.

Most homeownership campaigns sell a dream. Growth Champions are already living theirs. The opportunity wasn't to motivate — it was to mirror back the work they've already put in and position Wells Fargo as the partner who sees it.








The spot uses a flashback montage structure — cutting between warm, present-day moments and raw, textured scenes from the past — to show that buying a home isn't a single decision. It's the sum of every small, intentional choice that came before it.
 Wells Fargo doesn't show up as the hero. It shows up as the partner who was paying attention.The campaign is built on a single visual rule: the past feels earned, the present feels intentional.

Flashback moments are handheld, grainy, and unpolished — not because the past was bad, but because it was real. Present-day scenes are steady, warm, and composed — the visual payoff of years of decisions finally landing.

The contrast isn't nostalgia. It's proof.



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		<title>Feeding America </title>
				
		<link>https://maliqhairston.com/Feeding-America</link>

		<pubDate>Thu, 11 Jun 2026 04:08:46 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Feeding-America</guid>

		<description>
&#60;img width="1456" height="968" width_o="1456" height_o="968" data-src="https://freight.cargo.site/t/original/i/2869cde24fe10a340f8c9081eb96954069fd31de9ab5b2bfa7deff8240bc05bb/Screenshot-2026-06-11-at-2.52.41PM.png" data-mid="249380687" border="0"  src="https://freight.cargo.site/w/1000/i/2869cde24fe10a340f8c9081eb96954069fd31de9ab5b2bfa7deff8240bc05bb/Screenshot-2026-06-11-at-2.52.41PM.png" /&#62;
&#60;img width="1464" height="974" width_o="1464" height_o="974" data-src="https://freight.cargo.site/t/original/i/c21b5a172efa3e7774a31df9e98c3fc570f274b27fa2a55fc6d4cf4e0d3becbb/Screenshot-2026-06-11-at-1.06.02PM.png" data-mid="249380394" border="0"  src="https://freight.cargo.site/w/1000/i/c21b5a172efa3e7774a31df9e98c3fc570f274b27fa2a55fc6d4cf4e0d3becbb/Screenshot-2026-06-11-at-1.06.02PM.png" /&#62;




	Feeding America × fluent360Led By Neighbors&#38;nbsp;
Agency: fluent360CCO: Jose SuasteCopywriter: Carla Urdeneta
Copywriter: Kennedy Mitchell&#38;nbsp;Art Director: Marisabel MunozArt Director: Maliq Hairston&#38;nbsp;


	Led by Neighbors.

Feeding America needed to shift perception — from a national institution to a locally powered movement. The problem wasn't awareness. People know hunger exists. The problem was distance. A massive nonprofit can feel abstract, bureaucratic, and far away from the actual work.

The brief: make Feeding America feel as close as the neighbor next door.People trust people — not systems.

The most effective change isn't top-down. It comes from neighbors who understand their community firsthand. That truth became the foundation for everything we made.










Led by Neighbors" follows the rhythm of real community action, neighbors lifting, packing, and delivering. The camera stays close and grounded. The scale builds organically: one person becomes two, two becomes a block, a block becomes a network. By the end, Feeding America isn't the hero. The neighbors are.

The campaign was featured on Good Morning America. Currently running across broadcast, social, and digital.Early storyboard sketches mapped the emotional beats before production. Every frame was designed to feel found &#38;amp; not staged, grounding a national campaign in the texture of real neighborhoods. The box became the idea. We stripped it back and rebuilt it through bold color, scale, and composition, turning a functional object into a recognizable symbol of neighbor-led care.


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	<item>
		<title>Stone Soup Chicago </title>
				
		<link>https://maliqhairston.com/Stone-Soup-Chicago</link>

		<pubDate>Thu, 11 Jun 2026 04:08:46 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Stone-Soup-Chicago</guid>

		<description>&#60;img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/038ead35284ecc163d80e09eac3409faefb15b2da9441a0c4a180978fcaa3516/StoneSoup_Cover_Straight-1.png" data-mid="249383284" border="0"  src="https://freight.cargo.site/w/1000/i/038ead35284ecc163d80e09eac3409faefb15b2da9441a0c4a180978fcaa3516/StoneSoup_Cover_Straight-1.png" /&#62;



	Wells Fargo × fluent360Stone Soup Chicago&#38;nbsp;A centuries-old folktale, retold for one city and built to live far past the page.


Agency: fluent360CCO: Jose Suaste
ACD: Alex HernanCopywriter: Carla Urdeneta
Copywriter: Kennedy Mitchell&#38;nbsp;Art Director: Marisabel MunozArt Director: Maliq HairstonAuthor: John Jennings &#38;nbsp;
Illustration: Sam Kirk 
For the Greater Chicago Food Depository



	Food insecurity across Cook County is climbing, and the Greater Chicago Food Depository needed to reach the next generation without lecturing them.


The answer wasn't a PSA. It was a story. Stone Soup,&#38;nbsp;two strangers who turn a pot of stones into a meal for a whole neighborhood — retold as a distinctly Chicago children's book, then pushed off the page into an event, a storefront, merch, and a citywide moment.


The constraint I designed against: make hunger legible and hopeful to a kid without flinching, and without sugarcoating.
We made the call to retell Stone Soup as Chicago's own, and to cast the city's own voices to carry it. Author John Jennings shaped the story. Artist Sam Kirk gave it a face.


My job sat around and underneath theirs: the creative platform that defined what this book needed to be, the design system that held it together, and the entire world it stepped into once it was printed.




	
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ee6e9d1f3dc69245b1a99d2b21d5b439b0ee870cba319680566e104100aaa948/Deliverables-1.png" data-mid="249387997" border="0"  src="https://freight.cargo.site/w/1000/i/ee6e9d1f3dc69245b1a99d2b21d5b439b0ee870cba319680566e104100aaa948/Deliverables-1.png" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6d1c88fd84d7fd1e421ceb810823e78e3d6af24403c53b5799156bf521150fac/GFCD_Shirt.png" data-mid="249385940" border="0"  src="https://freight.cargo.site/w/1000/i/6d1c88fd84d7fd1e421ceb810823e78e3d6af24403c53b5799156bf521150fac/GFCD_Shirt.png" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fab11d8a17ecf00a0810f4df1aaa47adc6bc9e8970bb099a2ceb10f29d19b224/Drummerboy_GCFD.png" data-mid="249549673" border="0"  src="https://freight.cargo.site/w/1000/i/fab11d8a17ecf00a0810f4df1aaa47adc6bc9e8970bb099a2ceb10f29d19b224/Drummerboy_GCFD.png" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d3c4afa94b65bf5fe1a6e697da66619891753e6afa5ea30a2ce6d7834f86eac4/BASIC-SHIRT-GCFD.png" data-mid="249388271" border="0"  src="https://freight.cargo.site/w/1000/i/d3c4afa94b65bf5fe1a6e697da66619891753e6afa5ea30a2ce6d7834f86eac4/BASIC-SHIRT-GCFD.png" /&#62;


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	<item>
		<title>FOS x Tom Brady </title>
				
		<link>https://maliqhairston.com/FOS-x-Tom-Brady</link>

		<pubDate>Fri, 12 Jun 2026 21:50:57 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/FOS-x-Tom-Brady</guid>

		<description>
&#60;img width="2400" height="1350" width_o="2400" height_o="1350" data-src="https://freight.cargo.site/t/original/i/5700707243019c2dba3cb9d9374d4f5ebb61c203db6006cf7b45c2be11145511/FbWi1GHWAAEoHz4.jpeg" data-mid="249407851" border="0"  src="https://freight.cargo.site/w/1000/i/5700707243019c2dba3cb9d9374d4f5ebb61c203db6006cf7b45c2be11145511/FbWi1GHWAAEoHz4.jpeg" /&#62;



	Front Office Sports x Autograph&#38;nbsp;Tom Brady x Autograph: The Future of NFTs with Tom Brady


Promotional creative for FOS's Tom Brady moment, across a high-profile product launch and a marquee podcast feature.

Art Director : Maliq Hairston&#38;nbsp;
3D Designer : Maliq Hairston




	As Art Director at Front Office Sports, we designed the promotional creative for the company's Tom Brady coverage, spanning two fronts: the launch of Brady's Autograph digital-collectible drop, and his feature on the Front Office Sports podcast.



Working with the FOS team, we created the main social visuals for the Autograph drop — the primary art that carried the launch in-feed.


The design problem: the product category had no visual playbook yet. There was no established way to make a brand-new digital collectible feel tangible and worth showing up for. The art had to make something abstract read as an event, and hold up at thumbnail scale in a crowded feed — built social-native, not a print layout forced onto a phone.



The team designed the flyers promoting Brady's feature on Front Office Sports, the announcement creative that packaged a marquee guest into clean, on-brand, shareable art built to travel across social.



A craft piece from the 2021 NFT boom: a high-profile name, a tight timeline, and no established conventions to lean on. Presented for the launch design and the social-first art direction, not the trend it rode in on.



	
&#60;img width="260" height="287" width_o="260" height_o="287" data-src="https://freight.cargo.site/t/original/i/db05b97b5701baa7d9f6c1855664d0502ba082d0b10d63e7964031075c90a255/7x20v6.gif" data-mid="249407833" border="0"  src="https://freight.cargo.site/w/260/i/db05b97b5701baa7d9f6c1855664d0502ba082d0b10d63e7964031075c90a255/7x20v6.gif" /&#62;
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&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/3cf033b0d4e1045ea233256c38ec6df09e799fb08e1313517ba058aa0b66244f/INTRO.jpg" data-mid="249407852" border="0"  src="https://freight.cargo.site/w/600/i/3cf033b0d4e1045ea233256c38ec6df09e799fb08e1313517ba058aa0b66244f/INTRO.jpg" /&#62;


&#60;img width="260" height="139" width_o="260" height_o="139" data-src="https://freight.cargo.site/t/original/i/44a9871578da822371d7ef476549e96dd704228a821922f905a812ff2b804a9a/7x1y6m.gif" data-mid="249407834" border="0"  src="https://freight.cargo.site/w/260/i/44a9871578da822371d7ef476549e96dd704228a821922f905a812ff2b804a9a/7x1y6m.gif" /&#62;
&#60;img width="540" height="525" width_o="540" height_o="525" data-src="https://freight.cargo.site/t/original/i/556ce9adcd0824fdf746cd059649e761b8d0f7f7f46da99dd674814652965a9f/Untitled-design.gif" data-mid="249407853" border="0"  src="https://freight.cargo.site/w/540/i/556ce9adcd0824fdf746cd059649e761b8d0f7f7f46da99dd674814652965a9f/Untitled-design.gif" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Mongoose</title>
				
		<link>https://maliqhairston.com/Mongoose</link>

		<pubDate>Sun, 28 Jun 2026 02:52:11 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Mongoose</guid>

		<description>
&#60;img width="3300" height="1803" width_o="3300" height_o="1803" data-src="https://freight.cargo.site/t/original/i/819d67d1830463e22915dcc2cf279129fde31438d5009dbc5036febff7501b49/Artboard-1.png" data-mid="249865177" border="0"  src="https://freight.cargo.site/w/1000/i/819d67d1830463e22915dcc2cf279129fde31438d5009dbc5036febff7501b49/Artboard-1.png" /&#62;



	Mongoose BMX Bikes
“on the go.”&#38;nbsp;


The bike everybody wanted, told from the side nobody filmed.


Mongoose tells one story about BMX: the trails, the dirt, the racing, the terrain. It's a good story but it's only half of one.


There's a whole generation that grew up on these bikes on concrete. In cities, a Mongoose wasn't a sport. It was a way of life — and that side of the brand has never made it into the marketing. The challenge wasn't to reinvent Mongoose. It was to reveal a part of it that already exists, authentically, from the inside — and add to the story without replacing it.


Art Director : Maliq Hairston&#38;nbsp;
Video Concept/Director: Maliq Hairston
Tool Used: Midjourney/Adobe Photoshop/Adobe Firefly/
Kling Ai

	For a city kid, a BMX bike was never just a toy. It was your first taste of freedom.


The first thing that was yours — that could take you somewhere your feet couldn't, on your own terms, before you were old enough for anything else. A Mongoose was the name everybody wanted because it was attached to that feeling: independence, motion, the block becoming yours.


The emotional connection was already there. The brand just never named it.

“On the go” is childhood freedom turned into a tagline.



It's the feeling of being a kid with a bike and a whole summer in front of you — no schedule, no permission, just movement. For a city kid, the bike was the freedom: how you got around, how you found your crew, how you turned a block into a world.&#38;nbsp;

Mongoose BMX 
Campaign Visual: “on the go”

The campaign lives in that double meaning. On the go as motion — riding, racing, popping wheelies, never still. And on the go as a state of being — free, independent, alive, in the wide-open summer of being young. Every frame is a kid in motion or about to be. The last one is the only kid lying still, because by then the day's freedom is spent.


Mongoose isn't selling a bike. It's selling the freedom the bike gave you,&#38;nbsp; the freedom the city always knew it for.
Shot as a film campaign set across a single summer day in the city, from noon to the Fourth of July fireworks. The visual language is documentary-cinematic — grainy, warm, lived-in — built to feel less like an ad and more like a memory you forgot you had.



    


&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/10349694a59e71ebceedcb8006c395469a741f2918fa106dd9f1b69210e5de02/Mongoosesocial.png" data-mid="251219554" border="0"  src="https://freight.cargo.site/w/1000/i/10349694a59e71ebceedcb8006c395469a741f2918fa106dd9f1b69210e5de02/Mongoosesocial.png" /&#62;
&#60;img width="3300" height="1803" width_o="3300" height_o="1803" data-src="https://freight.cargo.site/t/original/i/42a1a3282e00a7bf6724ef9227019284b65c67ea5743398a25d5d789950e6f1e/Artboard-3.png" data-mid="249865327" border="0"  src="https://freight.cargo.site/w/1000/i/42a1a3282e00a7bf6724ef9227019284b65c67ea5743398a25d5d789950e6f1e/Artboard-3.png" /&#62;
&#60;img width="1672" height="941" width_o="1672" height_o="941" data-src="https://freight.cargo.site/t/original/i/c20d6bae025aef7a96052617771acefc797301ad00875890a3da10844ee1c2d8/ChatGPT-Image-Jun-27--2026--03_25_05-PM.png" data-mid="251219760" border="0"  src="https://freight.cargo.site/w/1000/i/c20d6bae025aef7a96052617771acefc797301ad00875890a3da10844ee1c2d8/ChatGPT-Image-Jun-27--2026--03_25_05-PM.png" /&#62;
&#60;img width="2944" height="1648" width_o="2944" height_o="1648" data-src="https://freight.cargo.site/t/original/i/9f7bb52045de93d1cdba48f1dd9fa2f7d18838553c11cd76e1986d7ecea04334/u3362264347_4_Kids_surrounded_by_sparks_and_smoke_lighting_fi_32c32de1-541b-4993-b68b-63b703bc5c56_0.png" data-mid="251219762" border="0"  src="https://freight.cargo.site/w/1000/i/9f7bb52045de93d1cdba48f1dd9fa2f7d18838553c11cd76e1986d7ecea04334/u3362264347_4_Kids_surrounded_by_sparks_and_smoke_lighting_fi_32c32de1-541b-4993-b68b-63b703bc5c56_0.png" /&#62;

&#60;img width="4125" height="2254" width_o="4125" height_o="2254" data-src="https://freight.cargo.site/t/original/i/325b74014ec216110e6b914786c1ea7ea37160e6bc0cdd009a2dd6d2889f7201/kids-together.png" data-mid="249952558" border="0"  src="https://freight.cargo.site/w/1000/i/325b74014ec216110e6b914786c1ea7ea37160e6bc0cdd009a2dd6d2889f7201/kids-together.png" /&#62;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f747dab43c0ddb62550bda984db7d4f051543130e735c6b5772e65804f34a278/City-Billboard-Mockup-copy.jpg" data-mid="250506094" border="0"  src="https://freight.cargo.site/w/1000/i/f747dab43c0ddb62550bda984db7d4f051543130e735c6b5772e65804f34a278/City-Billboard-Mockup-copy.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/681d7f00f90576cc1b61af6b50dceb47426ac3b03da43c5d97d69f6f89bcfcc2/MockupNY_01.png" data-mid="250506092" border="0"  src="https://freight.cargo.site/w/1000/i/681d7f00f90576cc1b61af6b50dceb47426ac3b03da43c5d97d69f6f89bcfcc2/MockupNY_01.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Dosist</title>
				
		<link>https://maliqhairston.com/Dosist-1</link>

		<pubDate>Fri, 03 Jul 2026 19:29:05 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Dosist-1</guid>

		<description>&#60;img width="4800" height="2700" width_o="4800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/13a3f0e1f4a0a43abbe028a2b19a034c658636c53ff4e356279136f7bdf6dcdb/findyourfeeling.png" data-mid="250055241" border="0"  src="https://freight.cargo.site/w/1000/i/13a3f0e1f4a0a43abbe028a2b19a034c658636c53ff4e356279136f7bdf6dcdb/findyourfeeling.png" /&#62;


	Dosist“Find Your Feeling”You can't show the product. You can't claim the high. So make the feeling something you can see.



Dosist makes dose-specific therapy pens — precise formulas for three distinct states: bliss, calm, focus. But a feeling is the hardest thing in the world to advertise. You can't screenshot calm. You can't put focus on a billboard. And cannabis marketing is boxed in on every side — no health claims, heavy restrictions, platforms that reject the category outright. The problem: sell an invisible benefit, in a category that can barely advertise, without showing the product or promising a result.


Art Director : Maliq Hairston&#38;nbsp;Video Concept/Director: Maliq Hairston
Tool Used: Midjourney/Adobe Photoshop/Adobe Firefly

	Most weed is a blunt instrument — you get high and hope for the best. But the modern user, especially the creative, doesn't want high. They want a specific state, on demand. Focus when the work needs it. Calm when the anxiety's loud. Bliss when it's time to feel good. The value was never the buzz. It's the control. 
Dosist isn't weed. It's the dial.


If you can't show the product and can't claim the benefit, sell the feeling itself — made visible. Each Dosist state becomes a designed visual environment: pure color, light, motion, and atmosphere tuned to make one feeling undeniable before a single word is read. Not a product shot. Not a claim. A feeling you can see across a room.


Three feelings. Three worlds. One system.


Bliss — red. Heat, euphoria, motion, hands in the air. The high you plan for.
Calm — green. Soft, slow, dissolving. The exhale.
Focus — blue. Locked in, lost in the work, the world blurred to a single sharp point.


Each feeling owns its color, 
carried across every billboard, every social frame, the packaging, the pen. The feeling you see is the feeling you hold.
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/408df17514387b46e075bb40d57a1b77fd08ed197ccf7fe65a91aaafc06fdd8d/Goals-3.png" data-mid="250081478" border="0"  src="https://freight.cargo.site/w/1000/i/408df17514387b46e075bb40d57a1b77fd08ed197ccf7fe65a91aaafc06fdd8d/Goals-3.png" /&#62;


	
&#60;img width="540" height="350" width_o="540" height_o="350" data-src="https://freight.cargo.site/t/original/i/11e63fac21e3b04e794ef9b8f520c54bd9a8f21c203cd5e12930ee05719b49ee/22c805f2e6521a609b65e20433fd9eb5.gif" data-mid="250055201" border="0"  src="https://freight.cargo.site/w/540/i/11e63fac21e3b04e794ef9b8f520c54bd9a8f21c203cd5e12930ee05719b49ee/22c805f2e6521a609b65e20433fd9eb5.gif" /&#62;
&#60;img width="4800" height="2700" width_o="4800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/e5a2bfa5fdfa30b4fa4a1dd55bf30598d1b1d9590b3b01966372deceb3fa9fb8/Artboard-4.png" data-mid="250055215" border="0"  src="https://freight.cargo.site/w/1000/i/e5a2bfa5fdfa30b4fa4a1dd55bf30598d1b1d9590b3b01966372deceb3fa9fb8/Artboard-4.png" /&#62;
&#60;img width="4800" height="2700" width_o="4800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/4723f5c9c5a2ca87232fb3ffe71be5ac28928b793267a3f1deafeb58afcda4f8/runner_focus.png" data-mid="250144099" border="0"  src="https://freight.cargo.site/w/1000/i/4723f5c9c5a2ca87232fb3ffe71be5ac28928b793267a3f1deafeb58afcda4f8/runner_focus.png" /&#62;
&#60;img width="800" height="553" width_o="800" height_o="553" data-src="https://freight.cargo.site/t/original/i/a7b4285a9f75d99697095d3393b374be918d1c74a6eca1478d2ca6b47409b745/Trey-Lyons---Light-Flash.gif" data-mid="250144095" border="0"  src="https://freight.cargo.site/w/800/i/a7b4285a9f75d99697095d3393b374be918d1c74a6eca1478d2ca6b47409b745/Trey-Lyons---Light-Flash.gif" /&#62;
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&#60;img width="4800" height="2700" width_o="4800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/330e7054e4043265c3435ffcf67780bf492456fad5a19466386aea8fab917d0d/red_trav.png" data-mid="250144103" border="0"  src="https://freight.cargo.site/w/1000/i/330e7054e4043265c3435ffcf67780bf492456fad5a19466386aea8fab917d0d/red_trav.png" /&#62;


&#60;img width="3300" height="1803" width_o="3300" height_o="1803" data-src="https://freight.cargo.site/t/original/i/23c89b38e708e601788f5c8b81f31412a75a21ae382671573899dbb48f913282/Mocks.png" data-mid="250057574" border="0"  src="https://freight.cargo.site/w/1000/i/23c89b38e708e601788f5c8b81f31412a75a21ae382671573899dbb48f913282/Mocks.png" /&#62;&#60;img width="3300" height="1803" width_o="3300" height_o="1803" data-src="https://freight.cargo.site/t/original/i/51656af941d486ba0a72f8228d6feac5b067424067d14b37c33ee14d54044aa4/Mocks-1.png" data-mid="250081561" border="0"  src="https://freight.cargo.site/w/1000/i/51656af941d486ba0a72f8228d6feac5b067424067d14b37c33ee14d54044aa4/Mocks-1.png" /&#62;


&#60;img width="452" height="250" width_o="452" height_o="250" data-src="https://freight.cargo.site/t/original/i/12ab32a54766d0d84e1e2a6312c88df7c70a92f69652cf19e8ddc2b0494050c2/output-1-1.gif" data-mid="250789433" border="0"  src="https://freight.cargo.site/w/452/i/12ab32a54766d0d84e1e2a6312c88df7c70a92f69652cf19e8ddc2b0494050c2/output-1-1.gif" /&#62;
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	<item>
		<title>Info</title>
				
		<link>https://maliqhairston.com/Info</link>

		<pubDate>Thu, 11 Jun 2026 03:51:31 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/Info</guid>

		<description>MALIQ HAIRSTON
“Live for yourself and what you stand for, not for the approval or even the attention of others”(H.J Kim)


From West Philly willing to make a difference.
An active Art Director, Film Director &#38;amp; Creative Marketing Specialist based in PHL/LA &#38;amp; NYC, with an interest in fashion &#38;amp; music.&#38;nbsp;Looking to create timeless art. I am giving myself a 10 year timestamp but I would love to design a sneaker or work on a collab with a sneaker company. I will probably dabble into music production, film &#38;amp; culinary arts soon.&#38;nbsp;

ExperienceArt Director at fluent360 (2025-2026)

	
		
		
	
	
		
			
				
					
fluent360 was a small agency I worked at that gave me a chance to finally see the city of Chicago.&#38;nbsp;Clients
include Wells Fargo, Blue Cross Blue Shield, Army, Feeding America &#38;amp; Greater Chicago Food Depository.&#38;nbsp;

Creative Marketing Specialist at STILL HUMAN (2020-Present)

	
		
		
	
	
		
			
				
					
Still Human is a cool ass agency I created with my close friend Rahsaam Ray, as a platform to host our freelance and contract work. Clients
include Combs Global, Music Breakr, United Masters, &#38;amp; more.

				
			
		
	

Creative Strategist at Semrush (2021-2025) I have done some cool Digital Marketing &#38;amp; SEO campaigns for brands like Spotify, Verizon, Peleton and more.&#38;nbsp;
Creative at Front Office Sports (Aug 2022-October 2022)Front Office Sports (FOS) wanted to bring a CD/AD/ and Lead Designer on contract and I covered all of those roles at the time lol. I had the chance to create ome cool sports newsletters but I also had the chance to create some cool with for TOM BRADYCreative Marketing&#38;nbsp;Intern  at Livenation Entertainment (2021-2022)Livenation gave me my first opportunity as a creative, I was able to create alot of their social media and experiential concert assets while I was there. And I had a chance to see a ton of concerts for free.&#38;nbsp;

Other things you should know:&#38;nbsp;
Temple University Alum 21’
One School Honors Alum 23’Youth of the Future Mentor (Mentorship Program at my&#38;nbsp;alma mater)UX Design Cert Google&#38;nbsp;




	STILL HUMAN&#38;nbsp;
maliq.hairston@stillhuman.world
	Personal

hairstonmaliq@gmail.com



	
	︎&#38;nbsp; ︎
	
</description>
		
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	<item>
		<title>524 Studio Philly </title>
				
		<link>https://maliqhairston.com/524-Studio-Philly</link>

		<pubDate>Thu, 11 Jun 2026 03:51:31 +0000</pubDate>

		<dc:creator>Maliq Hairston</dc:creator>

		<guid isPermaLink="true">https://maliqhairston.com/524-Studio-Philly</guid>

		<description>
	
	Creative Lead/PA* ········· Rah Ray
Art Director/Designer/PA* ········· Maliq (Me)





	Studio 524&#38;nbsp;
	
Studio 524 hired Still Human to elevate the visual storytelling of BabyQah's "Diamonds" music video. Leveraging Still Human's expertise in art direction, the video was meticulously crafted to captivate audiences and enhance the song's narrative impact. This partnership underscores a shared commitment to pushing creative boundaries and amplifying the cultural resonance of artistic expressions.&#38;nbsp;



BABY QAH (FT. POUNDSIDE POP)&#38;nbsp;
DIAMONDS MUSIC VIDEO &#38;amp; COVER ART





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&#38;nbsp; CHRISTINNA O ︎︎︎


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